Very good sounding recording. Thanks to tjhe taper for sharing his recording.
!All musical loveliness within is credited to its creators and performers!
*Support the artist(s) when able*
http://howtodestroyangels.com/
http://store.destroyangels.com/
http://tour.destroyangels.com/
Taper
Jon G.
Location
LoC Balcony, E101 (Row 9)
Lineage/Source
1 - From taper
> Church Audio CA-14c (Hat-mount, 6" spacing)
> Roland Edirol R-09HR 3.00 (Mic-in, PiP, HiSens, +34, 24-bit/96kHz WAV)
> 8GB SanDisk Ultra II SDHC
> Transfer to PC
> TLH 2.7.0.172 (FLAC Lvl. 8, FFP)
> CD Wave 1.98 (Tracking, exported as 24-bit/96kHz WAV)
> Sony Sound Forge 10.0c (Channels balanced, EQ, light compression, fades, dithered/resampled/saved-as 16-bit/44.1kHz WAV)
> TLH 2.7.0.172 (FLAC Lvl. 8, FFP)
> Foobar2000 1.1.14 (Tagging)
> Seeded via Dime/TTD
> *Insert your name here for proper lineage*
How to Destroy Angels is:
Alessandro Cortini - Bass guitar, keys
Mariqueen Maandig - Vocals, keys
Trent Reznor - Vocals, guitar, keys
Atticus Ross - Keys
Rob Sheridan - Keys
Notes
1] I'm not an enormous Reznor fan, but another taper I know is, and got me interested in going out to
tape his projects, primarily NIN, but that will have to wait for a little while longer. I wasn't
very impressed with the studio material, although it certainly isn't bad, but I found it far more
enjoyable in a live setting, but still not quite my thing. Of some note, is that this was one of
three shows to sell out, and I believe the only one to have sold out during the general pre-sale.
The other two were/are the show in San Francisco, and the show next week in New York. Plenty of
tickets were available on StubHub for this show, though, and I don't know many people were inside
as compared to the amount of tickets sold, but, both the balcony and floor were packed.
2] I'm always pleased when I find myself at the Vic because it's a rather nice venue. Though it may
be lightly dilapidated on the inside, the sightlines are very good in the balcony, the seats are
still comfortable enough, and the sound is excellent and what I consider to the be the highlight
of going to the Vic Theatre. Thus far, the Vic is the venue I've pulled at the most in my taping
ventures and I've always left with something rather nice to listen to, this being no exception.
3] Aside from the Vic's excellent sound, the crowd was mostly respectable. As was noted in another
HTDA torrent, everyone here was very chatty, but largely during the opener (which wasn't DIIV for
us, unfortunately, as they had been trapped in a snow storm) and not during HtDA. The people directly
in front of me weren't talkers by any means and didn't clap as far as I noticed, and though I had
a ham-slapper to my right, she isn't as prominent as I had feared. Lots of hoots and hollers
during HtDA, particularly when either Trent or Mariqueen did anything remotely interesting, and
one right behind me at some point, but nothing terrible.
Play Time - 01:19:55
The Wake-Up
Keep it Together
Parasite
And the Sky Began to Scream
Ice Age
The Believers
How Long?
Welcome Oblivion
BBB
The Space in Between (SONOIO Remix)
Fur-Lined
The Loop Closes > Band Intro
A Drowning
On the Wing
Strings and Attractors
We Fade Away
http://textsnip.com/c1aff4
Link not working... :-(
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