Saturday, 11 May 2013

Marianne Faithfull - Arena del Mare, Porto Antico di Genova, Italy - 26.07.2011 (Flac)


Excellent FM broadcast of the Concert on the "Just Like a Woman" festival.

Original Info File:

(stereo) FM radio broadcast by "Il Cartellone - Radio Tre Suite Jazz", Radio 3 RAI [third channel of Italian national radio], on wednesday 28 December 2011, 20:45 hours [CET].


Lineage (FM > wav > flacs > web):
Sony ST-S370 tuner > Sony PCM-D50 linear PCM recorder > 44.100khz/16bit wav on Sony Memory Stick ProDuo [mark2] > usb > Audacity 1.3.5 Beta (editing and track splitting) > 44.100khz/16bit flac's (level 8) > webtorrenting

originally upped by survivor69 on TradersDen, a big Thank You to him.


with Katherine St.John: piano, english horn, hammond organ, saxes, accordion, oboe, direction + Doug Pettibone: guitars + Rory McFarlane: bass + Martyn Barker: drums

(00-radio introduction by Pino Saulo)  7.03
01-Horses and High Heels 
02-Why Did We Have To Part
03-Stations
04-There Is a Ghost
05-The Crane Wife
06-Prussian Blue
07-Back in Babes' Arms Again
08-Going Back
09-Love Song
10-band's intro
11-Sister Morphine
12-Sing Me Back Home (Before I Die)
13-Broken English
14-As Tears Go By
15-Working Class Hero
16-Incarceration Of A Flower Child
17-Strange Weather
18-radio outro  0.51


running time : 81'12" (without radio intro and outro, so to fit an overburned single CDR)
(WITH radio intro and outro, it would be 89'06")


Genova

Thursday, 9 May 2013

Grimes - Geidi Prime / Halfaxa (Free Download/Pay What You Want)




Grimes is giving away hers 2 album on bandcamp on a donation basis. You can always support her by paying something, but if you can't, the download is free anyway.

http://grimesmusic.bandcamp.com/

http://www.grimesmusic.com/

Wednesday, 8 May 2013

How to Destroy Angels - Vic Theatre, Chicago, Illinois, USA - 23.04.2013 (Flac)


Very good sounding recording. Thanks to tjhe taper for sharing his recording.

!All musical loveliness within is credited to its creators and performers!
*Support the artist(s) when able*
http://howtodestroyangels.com/
http://store.destroyangels.com/
http://tour.destroyangels.com/

Taper
Jon G.

Location
LoC Balcony, E101 (Row 9)

Lineage/Source
1 - From taper
> Church Audio CA-14c (Hat-mount, 6" spacing)
> Roland Edirol R-09HR 3.00 (Mic-in, PiP, HiSens, +34, 24-bit/96kHz WAV)
> 8GB SanDisk Ultra II SDHC
> Transfer to PC
> TLH 2.7.0.172 (FLAC Lvl. 8, FFP)
> CD Wave 1.98 (Tracking, exported as 24-bit/96kHz WAV)
> Sony Sound Forge 10.0c (Channels balanced, EQ, light compression, fades, dithered/resampled/saved-as 16-bit/44.1kHz WAV)
> TLH 2.7.0.172 (FLAC Lvl. 8, FFP)
> Foobar2000 1.1.14 (Tagging)
> Seeded via Dime/TTD
> *Insert your name here for proper lineage*

How to Destroy Angels is:
Alessandro Cortini - Bass guitar, keys
Mariqueen Maandig - Vocals, keys
Trent Reznor - Vocals, guitar, keys
Atticus Ross - Keys
Rob Sheridan - Keys


Notes
1] I'm not an enormous Reznor fan, but another taper I know is, and got me interested in going out to
   tape his projects, primarily NIN, but that will have to wait for a little while longer. I wasn't
   very impressed with the studio material, although it certainly isn't bad, but I found it far more
   enjoyable in a live setting, but still not quite my thing. Of some note, is that this was one of
   three shows to sell out, and I believe the only one to have sold out during the general pre-sale.
   The other two were/are the show in San Francisco, and the show next week in New York. Plenty of
   tickets were available on StubHub for this show, though, and I don't know many people were inside
   as compared to the amount of tickets sold, but, both the balcony and floor were packed.

2] I'm always pleased when I find myself at the Vic because it's a rather nice venue. Though it may
   be lightly dilapidated on the inside, the sightlines are very good in the balcony, the seats are
   still comfortable enough, and the sound is excellent and what I consider to the be the highlight
   of going to the Vic Theatre. Thus far, the Vic is the venue I've pulled at the most in my taping
   ventures and I've always left with something rather nice to listen to, this being no exception.

3] Aside from the Vic's excellent sound, the crowd was mostly respectable. As was noted in another
   HTDA torrent, everyone here was very chatty, but largely during the opener (which wasn't DIIV for
   us, unfortunately, as they had been trapped in a snow storm) and not during HtDA. The people directly
   in front of me weren't talkers by any means and didn't clap as far as I noticed, and though I had
   a ham-slapper to my right, she isn't as prominent as I had feared. Lots of hoots and hollers
   during HtDA, particularly when either Trent or Mariqueen did anything remotely interesting, and
   one right behind me at some point, but nothing terrible.

 Play Time - 01:19:55


The Wake-Up
Keep it Together
Parasite
And the Sky Began to Scream
Ice Age
The Believers
How Long?
Welcome Oblivion
BBB
The Space in Between (SONOIO Remix)
Fur-Lined
The Loop Closes > Band Intro
A Drowning
On the Wing
Strings and Attractors
We Fade Away

http://textsnip.com/c1aff4

Douglas J McCarthy (of Nitzer Ebb) - The Echo, Los Angeles, CA - 07.04.2013 (Flac)


Another excellent recording shared by mixter_ on DIME,a HUGE thank you to him!

"Love Your Enemies"

EX-

Lineage / Equipment:

15' from rail / 12' from ceiling stacks / dead center / fob  -> 6.5' h -> slavesound omni's ->
custom bb - no bass roll-off -> edirol r09 (24/48) -> sandisk 16gb 15mb/s sd -> reader ->
audition 3.0 - slight level boost (+2dB l) (no normalization) -> har-bal 2.3 slight eq (bass
attenuate, treble boost) -> audition 3.0 - de-clap process (small portion of "chant") dither
to 16/44.1 -> cd wave editor (track split) -> tlh (flac 8, etc...) -> DIME -> you -> sense of
enjoyment -> sharing is caring -> support the artist (yes) -XX convert to mp3 (no!!!).

K.I.L.L. = Keep It LossLess, My Friends

Performed by...

Douglas J McCarthy - Vocals
Uncredited - Tip Top Analogue Console Operator

The artist / performance...

Best known (or perhaps not) as the imposing frontman with the Italian suits and Aviator sunglasses of EBM Dance Industrial outfit Nitzer Ebb, Douglas J's contribution to the world of electronic dance music has been greatly overlooked over the years. Still, songs like "Murderous" (prominently featured in an episode of "The Following" last week) have crept into the fabric of mainstream culture. I'm not quite sure that you'll be hearing the Teutonic verses of "Control, I'm Here" or "Join In The Chant" in the next Toyota commercial. Still the music has an enduring and endearing quality that seems to maintain its relevancy today. After a 30 year association with N.E.P., as a vocal collaborator with Terrence Fixmer and "gun for hire" for Recoil, Motor, et al, Mr. McCarthy has found his solo voice.
Last year he produced a stunning work of electronica and synth dance in the form of "Kill Your Friends" produced by fame Mode / Bjork producer Mark Bell. Unfortunately Pylon Records did a poor job in promoting the release.

Douglas' in-store performance and signing at Amoeba last year only attracted 25 or 30 fans. This hardly seems possible for someone of his note. The 2009-11 Nitzer Ebb reunion attracted very positive reviews and near capacity audiences around the world. They even enjoyed a 30+ date European opening slot with former label mates, Depeche Mode.
Last night's crowd of 150 or so was much better. After 2 1/2 years, Douglas makes his return to the L.A. hipster village of Silverlake this time upstairs at the echo. The audience (as perusual for this community) was pretty sedate with only a handful of dancers. Most were content to hangout around the bar area (12 ft to my left). There's not much in the form of audience chatter directly on mic on the recording as most were poltie enough and content to watch Doug's bold moves and grand jestures.

Those that were not can be heard as a murmur in the background. The set was comprised of material from the new album and N.E.P. classic "Join In The Chant". Some of the new tracks sound like they were ideas comprised during the recording of Industrial Complex. The pulsating driving beat of "Move On" reminds me a bit of "Promises" while "Love In The Backroom" is an obvious sequel to "Down On Your Knees". Perhaps that is where the similarities end. The production on this release has a more electronica feel rather than an industrial sound. The downtempo of "Death Is King" is among Doug's
best work to date IMHO. Also, the languid beats of Evil Love sound like something from Alan Wilder's songbook. If you are (or were) a fan of N.E.P. or DM, do yourself a favour and pick up DJM's latest.

You won't be disappointed. I guarantee it!

Please note: This guarantee does not apply to "Delta Machine". ;-).

The recording...

Pulled from the golden triangle from 2 pretty hot ceiling stacks. Omnis picked up a bit of wayward chatter at times. No whistlers or loud clappers (except for 20 seconds or so of "Join In The Chant"). That's just "not cool" (thankfully) for this kind of crowd. Vocals are clear and distinctive. This is Douglas Fucking McCarthy after all. Expect no less.

Note: a small amount of amplification was applied throughout the recording to balance the levels. No normalization was applied.

Please support the artist by buying his new album "Kill Your Friends" on both CD and LP (Vinyl). The Vinyl edition comes with a bonus CD of remixes. i-Pad users may want to impress, who else? their friends of course, with the heptagram infused "Kill Your Friends" leather folio. It's sure to attract (undue) attention at your office...

http://pylonrecords.com/images/DJMsleeve.jpg

Note...

Now an Angelino resident, Doug could be seen @ Jimmy Kimmel Live on 04/24 to see his Basildon pals, Depeche Mode. Doug will be supporting Mode once again on select European dates during the Delta Machine Tour.

Oh and if you enjoy the stylings of...

Nitzer Ebb, Fixmer/McCarthy, Depeche Mode, Recoil, Motor, NIN, HTDA...

http://www.douglasjmccarthy.com/

http://www.facebook.com/douglas.j.mccarthy

http://www.facebook.com/pages/Douglas-J-McCarthy/280225168708262

http://www.nitzer-ebb.de/ebbdotcom/index.html

Enjoy,

mixter_


Setlist:

01. Taken
02. Nothing After This
03. Demon Prophet
04. All Kind Of Wrong
05. Evil Love
06. The Last Time
07. Love In The Back Room
08. Death Is King
09. Move On
10. Join In The Chant*

49:50

*N.E.P


The Echo

Adorable - Slim's, San Francisco, USA - 11.08.1993 (Flac)



Very Good sounding recording. Thanks to the original uploader on DIME.

Audience Cassette Master (Sony D-6 & Sonic Studio mics) -> Nakamichi 682ZX -> Sony PCM R-300 DAT (d/a conversion only) -> e-mu 0404 -> Sonar 6LE -> Nero (level boost) -> cd wav -> flac level 8
Setlist:

01 I'll Be Your Saint
02 Cut #2
03 Glorious
04 Favourite Fallen Idol
05 Crash Sight
06 Kangaroo Court
07 Sunshine Smile
08 Summerside
09 A To Fade In
10 Homeboy
11 Sistine Chapel Ceiling

Slim's

dreDDup - Remixes & Covers (Free Download)



dreDDup comes from Novi Sad, Serbia. They play massacre industrial music since 1997 and have 5 albums released around the globe. They destroy stages!

Visit their bandcamp website, where you can get this 18 tracks collection of Remixes, covers and collaborations for a free/Pay what you want download.

http://dreddup.bandcamp.com/album/remixes-covers

Saturday, 4 May 2013

Dead Can Dance - MBE KCRW Session - 19.04.2013 (Flac and Video)





A Better version than the one already posted here, this time in Flac. Also included is the HD video. Thanks to the original uploaders.


KCRW Radio FM Broadcast
Santa Monica, California.
Source: FM Broadcast

Remote Live Session From The Village Studio, West Los Angeles, California

AIRED:Friday April 19th, 2013


NOT FOR SALE **** PLEASE DO NOT DISTRIBUTE THESE FILES IN LOSSY FORMATS

Lineage: FM > Onkyo HT-R520 > Analog Out (2 - RCA Mono Out) > 2 - 1/4 Inch Mono Phone Jacks In >Zoom H4n @ 16bit - 44.1 KHz > CD WAVE Tracking > TLH Checksums Flac.8)->

We host a rare session with magnificent duo Dead Can Dance. They
are a truly unique and legendary outfit who evoke music of the Middle Ages.

01.(=Intro=Interview=)
02.Children Of The Sun
03.Anabasis
04.Amnesia (intro only)
05.Sanvean
06.(Station Break-Tech Problems)
07.Rising Of The Moon

Notes:

A rather long intro/interview with some technical problems. However the music part sounds flawless


The Band:

Lisa Gerrard - Vox, Yangqin,
Brendan Perry - Vox, Bazouki & Percussion,
Astrid Williamson - Keyboards, Vox,
Julian Maxwell - Keyboards, Vox,
Dan Gresson - Drums & Percussion,
David Kuckhermann - Percussion


Links:

Stream/Audition This Show @
http://www.kcrw.com/music/programs/mb/mb130419dead_can_dance
Remember, The Streams Can Sound Very Lossy.
Setlist And Info Copied From KCRW's Website
They're Often Incorrect @
http://www.kcrw.com/music/programs/mb


-------------------------------------------------------------------------------------------------
Video:

Source: http://www.kcrw.com/ => Adobe HDS Downloader => FLV => YOU

Setlist:

01.Children Of The Sun
02.Anabasis
03.Amnesia (intro only)
04.Sanvean
05.Rising Of The Moon

Ripped by: hunter212

http://textsnip.com/32b74e

Tricky - Festival Eurockénnes, Belfort, France - 10.07.1999 + Portishead - La Route Du Rock, St. Malo, France - 15.08.1998 (ProShot DVD)





Nice Proshot DVD. The Portishead concert is an incomplete recording of the broadcast, just 3 songs.

1st generation VHS > DVD

Set List Tricky:

1.  Bury the evidence (07:49)
2.  Christiansands (03:16)
3.  Bad Boy (09:03)
4.  Lyrics of Fury (03:26)
5.  Pumpkin (04:08)
6.  Anti-histamine (06:39)
7.  Overcome (03:58)
8.  Hot Like a Sauna (04:33)
9.  Vent (11:14)
10. Abbaon Fat Tracks (03:18)
11. You (Tear Out My Eyes) (12:47)


Setlist Portishead:

01. Numb
02. Cowboys
03. Mysterons

Belford

Radiohead - Demos - 1990/1991 (Flac)



Very good set of early recordings. Thanks to WackoBrothers for sharing the a long time ago.



On A Friday / Shindig Demo

Label: none

Audio Source: 1st Gen Cassette

Lineage: Master Cassette > Digi001/Logic Pro > AIFF > FLAC (5) > ZOMB > SBE fixed (TLH) > MWP

Number of Discs: 1

Artwork: none

Total running time: 52m 31s

Notes: sound quality is again excellent.
SBE were fixed with TLH. Protocol is included


Info:

Second known Radiohead demo. Recorded in the summer of 1990, when the band changed their name from ‘On A Friday’ to ‘Shindig’… and shortly after back to ‘On A Friday’. The demo contains 15 tracks. The titles are very familiar, as they were registered at Warner/Chappell around 2003.

14 of these tracks first appeared on the internet in August 2002 with different track names and details (it was referred to be Courtyard Studio demos from 1991). Around the time 1988 demo tape surfaced on the net, at the end of 2005, this 1990 also appeared with a correct and more accurate details, and features a track did not appear before, "Tell Me Bitch".

The following is the information that came with the distribution of this demo tape on the net:

This tape is a collection of demos made over the summer of 1990. All the members were by this point at different Universities around the country, but reconvened over the summer, with the exception of Phil who was in Ireland, although at this time the band did not have a settled name, having dropped On A Friday, but not come up with anything better. The band's working title was 'Shindig', which survived long enough for Thom to spray paint it on his acoustic guitar case, but by the time of their next 'proper' demo, they had reverted to On A Friday. In order to keep recording and rehearsing a school friend who had recorded some previous demos for the band was drafted in to keep the drum stool warm. The Clifton Hampden tracks were recorded over a number of weeks with this line up, while Jonny took the four track home with him in between where him, Thom and Colin worked on tracks. When Phil returned the band recorded another demo track in rehearsal, 'What's That You See?', significant because it was the first time Jonny moved from keyboards to guitar. The song was the only one from this period that remained in the set up until just prior to the deal with Parlophone.

04 - This track was demoed again later this year at Dungeon Studios in Oxfordshire, this version is the original rehearsal take.
05, 08, 12 - Significant tracks as the first time under the band banner they had worked with technology, in this case drum loops from Public Enemy and Soul To Soul. Since the band did not own a sampler, the loops were generated by Thom repeatedly recording from his walkman onto a track of the Portastudio, hence the loop stuttering ocassionally in Everyone Needs Someone To Hate. In Rattlesnake he adjusted the eq on his walkman as the loops were recorded, which gives the drum track it's texture.
07 - Recorded by Thom solo, this song had it's chorus replaced and was revived as Maquiladora for The Bends sessions.
08 - This track was demoed again later this year at Dungeon Studios in Oxfordshire, this version is the original version with the Soul To Soul drums. Still a potential hit too IMHO.
09 - Re-recorded during The Bends sessions pretty much verbatim, with drums added. This version is scrappy, but has the added attraction of cars passing the village hall in the rain.
11 - Also survived in the live set for some time.
13 - A full band version of this was demoed later, but this is the acoustic take. The Bush of the title refers to George Snr.
14 - Apparently Thom arrived at Jonny's house excited one day that he'd written his most viscous set of lyrics. Jonny and Colin suggested doing it as a ska number. Which they did. They also sped it up.
15 - Since he didn't own a sequencer at that time, Jonny triggered his Roland U20 to play the bass line of this song from a painstakingly programmed drum machine. This song is significant one of only two vocal contributions ever made by Colin. He ranted like Captain Beefheart for the verses while Thom sang the choruses.

http://en.wikipedia.org/wiki/Radiohead
The members of Radiohead all attended Abingdon School, a boys-only public school in Abingdon, Oxfordshire.Yorke and Colin Greenwood were in the same year, O'Brien and Selway were one year above and Jonny Greenwood two years below. In 1986, they formed the band "On a Friday", the name referring to the band's usual rehearsal day in the school's music room. On a Friday played their first gig at Oxford's Jericho Tavern in late 1986.Jonny Greenwood joined as a keyboard player but soon became the lead guitarist.

Although Phil Selway, Thom Yorke, Colin Greenwood, and Ed O'Brien had left Abingdon by 1987 to attend university, the band continued to rehearse often on weekends and holidays. In 1991, when all the members except Jonny had completed their university degrees, On a Friday regrouped, but briefly changed their name to "Shindig." The band recorded demos, including the Manic Hedgehog demo tape, performed live around Oxford and appeared on the cover of a local music magazine Curfew. Although Oxfordshire and the Thames Valley had an active indie scene in the late 1980s and early 1990s, it centred around shoegazing bands such as Ride and Slowdive. On a Friday were never seen as fitting this trend and later commented that they had missed it by the time they returned from university.

As On a Friday's number of live performances increased, record labels and producers became interested.[Chris Hufford, the co-owner of Oxford's Courtyard Studios, attended an early On a Friday concert at the Jericho Tavern.[Impressed by the band, he and his partner Bryce Edge produced a demo tape and became On a Friday's managers. As of May 2007, Hufford and Edge remain Radiohead's managers. The band signed a six-album recording contract with EMI in late 1991, following a chance meeting between Colin Greenwood and label representative Keith Wozencroft at the record shop where Greenwood worked. At the request of the label, the band changed their name to Radiohead, inspired by the title of a song on Talking Heads' True Stories album.

Tracklisting:

01 - Climbing Up A Bloody Great Hill +
02 - Somebody ^
03 - Mr B +
04 - What's That You See? *
05 - Everyone Needs Someone To Hate ^
06 - Upside Down ^
07 - The Greatest Shindig Of The World ^
08 - Give It Up ^
09 - How Can You Be Sure? +
10 - Life With The Big F +
11 - Keep Strong +
12 - Rattlesnake ^
13 - Burning Bush ^
14 - Tell Me Bitch ^
15 - New Generation ^

+ - Recorded at Clifton Hampden Village Hall, drums - Nigel Powell
^ - Recorded in one or more bedrooms
* - Recorded at Nuneham Courtenay Village Hall, drums - Phil Selway
----------------------------------------------------------------------------------------------------------------

Manic Hedgehog Demo Tape
October 1991

Label: none

Audio Source: unknown generation cassette, but probably is a direct transfer from one of the demo cassettes that were distributed around Oxford on 1991.

Lineage:  unknown generation cassette > ?  > SHN > ZOMB > FLAC ( 8 ) > MWP

Number of Discs: 1

Artwork: the tape has cover art by Thom of an ink penned alien complete with distorted
and stretched head, and the slogan "Work Sucks" in a speech bubble.

Total running time: 17m 08s

Notes: it's not from the original master, but the quality is pretty good. The sound is less clear and sharp compared to the two previous demos. There is some hiss and slight fluctuations in higher frequencies, just like what you notice on any cassette, even in official ones !!!.

These demos are not MP3 sourced, as can be seen in the image of the Frequency Analysis and Spectral View done with Cool Edit Pro. Protocol for the SHN to FLAC transfer is included.


Info:

The Manic Hedgehog demo tape is the title of Radiohead's third demo tape, released in October 1991 on audio cassette. The record was named after an Oxford record shop.
It was distributed around Oxford for £3 when the band was still known as On a Friday, and received favourable reviews from a local music magazine 'Curfew'.
The tape has cover art by Yorke of an ink penned alien complete with distorted and stretched head, and the slogan "Work Sucks" in a speech bubble.


http://en.wikipedia.org/wiki/Radiohead
The members of Radiohead all attended Abingdon School, a boys-only public school in Abingdon, Oxfordshire.Yorke and Colin Greenwood were in the same year, O'Brien and Selway were one year above and Jonny Greenwood two years below. In 1986, they formed the band "On a Friday", the name referring to the band's usual rehearsal day in the school's music room. On a Friday played their first gig at Oxford's Jericho Tavern in late 1986.Jonny Greenwood joined as a keyboard player but soon became the lead guitarist.

Although Phil Selway, Thom Yorke, Colin Greenwood, and Ed O'Brien had left Abingdon by 1987 to attend university, the band continued to rehearse often on weekends and holidays. In 1991, when all the members except Jonny had completed their university degrees, On a Friday regrouped, but briefly changed their name to "Shindig." The band recorded demos, including the Manic Hedgehog demo tape, performed live around Oxford and appeared on the cover of a local music magazine Curfew. Although Oxfordshire and the Thames Valley had an active indie scene in the late 1980s and early 1990s, it centred around shoegazing bands such as Ride and Slowdive. On a Friday were never seen as fitting this trend and later commented that they had missed it by the time they returned from university.

As On a Friday's number of live performances increased, record labels and producers became interested.[Chris Hufford, the co-owner of Oxford's Courtyard Studios, attended an early On a Friday concert at the Jericho Tavern.[Impressed by the band, he and his partner Bryce Edge produced a demo tape and became On a Friday's managers. As of May 2007, Hufford and Edge remain Radiohead's managers. The band signed a six-album recording contract with EMI in late 1991, following a chance meeting between Colin Greenwood and label representative Keith Wozencroft at the record shop where Greenwood worked. At the request of the label, the band changed their name to Radiohead, inspired by the title of a song on Talking Heads' True Stories album.


Song information:

I Can't is different from the later version on the album Pablo Honey, whilst it was played throughout 91 & 92, it was the first song from Pablo Honey to be dropped from the live set.

Nothing Touches Me was a live favourite at the time, dealing with the subject matter of a prisoner who is also a talented painter. It is in the style of the 'alternative' rock dominant in 91. Allegedly, this song played a major role in helping Radiohead get a record deal, but never appeared on any album.

Thinking about You is different from the later version on the album Pablo Honey, here a britpop style thrash, with Thom Yorke's vocals muted due to sound equipment problems. This song was later lifted and taken onto Drill, and further still, to Itch.

Phillipa Chicken was a favourite of EMI, Radiohead's later record company, until the band decided to drop it. Its most notable feature is its stream of consciousness lyrics, and its bassline has been compared to that of The Beatles's Ticket to Ride.

You is powerful rock, with many time changes, and remains considered one of the better songs from their early period. The lyrics are generally regarded as poor, with references to a loved one as the 'sun and moon and stars' showing little of the talent shown in later works. However, it was later re-recorded several times and was taken through to Pablo Honey."


Tracklisting:
01 I Can't
02 Nothing Touches Me
03 Thinking About You
04 Phillipa Chicken
05 You
---------------------------------------------------------------------------------------------------------------
Demos

David Bowie - Discovering: Bowie (Documentary)





This Broadcast SkyArts1  15th April 2013

Lineage:Sky+box Hard Drive-->DVD Recorder-->DVD-->YOU

MPEG2
Menu: Yes Basic
Chapters: Yes

Format: PAL 16:9 720x576
Pics 20.000 /Frames  25.000 / Fields 50.000
Audio AC3  0xbd[0x80]:48000Hz  256 kb/s tot , stereo (2/0) 
Number of Discs:1
Disc Type: DVD5

duration: around 50 Minutes



 Discovering