2013 is already Trent Reznor's year. Not only HDTA debuted live, but he's going to resurrect NIN for the summer festival. Only good news then :)
Taped and shared on DIME by mixter_. A Huge THANK YOU!
Original Info File:
"hello..."
VG-
All thanks and consideration go to my taper friend coolerluzi who took the night off from taping but was willing to block for me in spite of having a full day on his feet. After carefull consideration we agreed that he should hangout behind instead.
Lineage / Equipment:
15' from rail / dead center / fob -> 6.5' h -> slavesound omni's -> custom bb - no bass roll-off ->
edirol r09 (48/24) -> sandisk 16gb class 4 sd -> reader -> audition 3.0 - slight level boost (no normalization) (+5dB l / +3dB r) -> har-bal 2.3 slight eq (bass attenuate, treble boost, de-clap) -> audition 3.0 - dither to 16/44.1 ->cd wave editor (track split) -> tlh (flac 8, etc...) -> DIME -> you -> sense of enjoyment -> sharing is caring -> support the artist (yes) -XX convert to mp3 (no!!!).
K.I.L.L. = Keep It LossLess. Convert to mp3 or shortwave radio for personal use only.
Please do no sell or attempt to profit from this recording. I do ask that any reposts, links
or artwork credit me as the original taper.
HTDA are...
Mariqueen Mandiig Reznor - Vocals, Keyboards, Tambourine
Trent Reznor - Vocals, Guitars, Keyboards
Atticus Ross - Programming, Analogue Console Operation, Background Vocals
Rob Sheridan - Visual Elements Presentation, Audio Effects
With...
Alessandro Cortini - Bass Guitar, Synthesizer, Backing Vocals
The Performance and Recording:
Trent Reznor makes his return to live performance after a nearly 4 year hiatus as a member of the ambient electronic collective "How To Destroy Angels". This is clearly a project that includes unique contributions from all its members. I'm not quite sure that the inner workings of the group would constitute a democratic process. After all Trent's trademark NIN "sound" can be heard
throughout. Still, it's Mariqueen's vocals that are the centerpiece for most songs. Atticus' arangements can be heard throughout the performance as well. Fans of "Ghosts", "The Social Network" and "The Girl With The Dragon Tattoo" will really appreciate the live performance. It goes without saying that what Rob has created with the visual elements is simple, effective and stunning.
It shares elements of the WT and LITS tours on a more intimate and immersive scale. I really don't want to give too much away.
If you are attending one of the select performances, do yourself a favour and avoid any YouTube or Coachella broadcast spoilers until you see the show for yourself live. Finally, NIN knob twiddler extraordinaire and synthesizer maker Alessandro Cortini rounds out the sound with some excellent bass playing. Songs are pretty faithful recreations of the album versions. One notable exception is that the banjo riff on "ice age" has been supplanted by a muted dulcimer sound.
The Recording / Theater:
After attendining Duran Duran's Coachella sideshow performance in this venue 2 years prior, I knew that I faced myriad challenges with this venue. The Art Deco theater originally built during Hollywood's Golden Age was fully renovated and restored in 2007 after several decades of decay. Goldenvoice handles all concert promotions at the venue which employs no staff since it remains vacant for the
majority of each month. Like it's cousin The Wiltern it has a magnificent balcony and high ornate ceilings. It employs an array of ceiling stack speakers that are situated some 30+ feet apart. Needless to say taping with omnis here can be quite challenging. The crowd on the floor didn't make matters any easier. There are those in the audience that are compelled to: 1. Chat incessantly. 2. Holler when
things have been too quiet and mommy hasn't heard their voice in a while. 3. Have inappropriate and profane tourette outbursts. 4. Profess their undying adulation for Trent, Q, whoever. 5. Binge drink. Pretty fun for a Wednesday in the I.E. I'd like to say much of this is off-mic but it isn't entirely and their is enough to take you out of the performance during many quieter moments. The audience for the
most part settles down and settles in for the second half of the show. Levels were all over the map. I will say that the recording has it's share of dynamic range. I did resist the urge to normalize the volume levels of all the tracks. I applied a pretty modest +3dB bump for the quiter portions. I took out a fair amount of boom through Har-Bal, but the sound remains pretty open and spacious which complements the material for the most part. I know that there will be at least one other source out there so you may want to wait. This isn't my best work but hardly my worst pull either. IMHO it remains an excellent document to this act's debut performance and is still very enjoyable.
Note to The Collector:
Arrive as early as possible, limited autographed lithographs are available for $55. Only 40 will be available for each performance.
Please support the band by buying their excellent album "welcome oblivion" on Columbia Records...
Enjoy,
mixter_
Setlist:
01. the wake up
02. keep it together
03. parasite
04. and the sky began to scream
05. ice age
06. the believers
07. how long?
08. welcome oblivion
09. bbb
10. the space in between (remix)
11. fur-lined
12. the loop closes
13. a drowning
14. encore break
15. on the wing
16. strings and attractors
17. we fade away
1:20:00
First Time Ever Live
Link not working... :-(
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